Pinakothek der Moderne

See what's new at the Pinakothek der Moderne

But first, this is how I pay for my Weisswurst and sweet mustard...

NEW PERSPECTIVE: The entrance to the Design section at the gallery.

This is where the fresh, the edgy, the controversial and the downright confusing artworks come to play.

The Pinakothek der Moderne (built in 2002) is the newest and brashest of Munich’s three big art galleries.

Although the building doesn’t look like much from the outside its circular floor plan and minimalist design will have you darting around like you’re in a post-modern Alice in Wonderland.

There’s four focus areas: Art, Architecture, Design and Works on paper, but staff are quick to point out that nothing here is static. “Permanent” exhibitions often make way for visiting shows relegating renown works to the back rooms.

That said, here’s a rundown of works regularly featured, and an account of what I saw when I visited.

DESPONDENT Alexander Kandolt’s Halbakt features in the Pinakothek der Moderne.

Impressions

I know very little about art, so forgive me if my impressions come over as a little naïve.

I first ran into the Classical Modernism collection of paintings, on the first floor to the right of the entrance.

The first room hosted Sofie and Emanuel Fohn’s bold bunch of expressionist works.

I liked the bright, unashamed use of colour in these paintings, as if each one is celebrating the joy of life along with telling another story.

My favourite was “Tanz um das Goldene Kalb” (Dance around the golden calf) by expressionist Emule Nolde, 1910, with its group of young women dancing joyously.

Baleful dames

I found myself wondering whether to laugh or cry at Heinrich Maria Davinghausen’s Dirde (1921). Say what you will, she sure looks happy to see him! She was in a room full of off-beat females including Alexander Kandolt’s divinely despondent and weighty lady in Halbakt (1912).

STYLISH: A 1937 Tanta from the Czech Republic in the Design section.

Curiouser and curiouser

I found some surrealist and post-modern works, which frankly gets a bit too much for me.

I found Georg Baselitz’s neo-expressionistic Der Trommler, with a black mass washing over a solitary yellow figure, a bit wacked out.

Joseph Beay left me similarly confused with his End of the 20th Century in Room 20. It’s a bunch of busted basalt columns thrown around an empty white room.

I guessed it was supposed to represent the end of civilization as we know it, but really, what’s up with that? Just what was Mr Beay smoking? And how, oh how, do I get mine?

I was disappointed to find the works of Andy Worhol, Pablo Picasso and others were off the shelves due to a visiting collection of modern German and American art and headed down to the design section.

Art in the everyday

LET THERE BE LIGHT: The circular skylight of the Pinakothek der Moderne domminates the inner lobby.

The design exhibit at the Pinakothek der Moderne starts at the base of board staircase to the right of the entrance, which opens up into a huge viewing room. What’s on show?

An eclectic mix of design icons on an enormous Ikea-style bookshelf, of course.

There’s a red-lip sofa, coffee machines, a toboggan, kitchen chairs and a wooden car
chassis.

I think it’s there to make you realise that everyday object are also art, just in the mass-produced manner. These are the designs that defined generations, folks, so it’s time to ante up and pay a little tribute.

Designs that can “move” you

On special display down here is an old Panda, a beat-up Italian auto icon. It’s early eighties chick and the child of “Car Designer of the Century” Giorgetto Giugiaro.

He started the ‘folded paper’ era which introduced straight lines to cars and continues today in the form of my family's old Volvo. A sign read this particular model was driven all the way from Sardinia, which might explain how it got so rusty. It is an island, after all.

There’s more magic motors in the next room, among them early model Porches, motorbikes, and a silver 1937 Tantra from the Czech Republic with a wicked shark’s fin tail.

A cornucopia of classics

I moved on the later-day laptops, Japanese robot dogs and Macs PCs so bulky and ancient they’d give today’s tweeny iPod Nano owners the shivers.

There are all kinds of cool designs here, from desktop fans and record players, to accordion-style retractable tables, bent-wooden armchairs and sneakers. Then I found the jewelry another level down.

ABSTRACT: Joseph Beay's confusing End of the 20th Century is one of the wackier artworks at the Pinakothek der Moderne.

Going, going….

Among the temporary exhibitions I saw was a big pool of drawings borrowed from New York’s Morgan Library and Museum. Honestly, it failed to float my boat.

Ditto for the only mildly moving Multiple Cities display in the architecture section.

This consisted of models, drawings, maps and photographs of varying cities concepts, including ‘Destroyed Cities’, ‘Patchwork Cities’ ‘Cities on the Move’ and ‘Megacities’.

Final verdict

Overall, an interesting collection, and well worth a few hours of your time, especially of you’re in town on a Sunday when admission is next to nothing.

I’ve never toured New York’s Metropolitan Museum of Art or Paris’ Pompidou Centre but I imagine they’re akin to Munich’s Pinakothek der Moderne. The fact they change displays every so often is a good reason to keep coming back.

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